Posted in Mentoring Service on April 15th, 2015 by Phil – Be the first to comment
This month’s theme was particularly loose, and gave people lots of opportunities, which we’d intended. March can be a miserable month, and it’s hard to get out at the best of times!
Dave’s picture we think has a nice bit of foreground interest. Foreground interest was all the rage about 20 years ago, when no landscape photo was complete without a duck in the front. These days it’s not stressed so much, but often helps in giving the picture a narrative impulsion. The view here is less than stunning, but the framing makes us look at it.
There’s also some implied romance from the two benches, which never hurt anyone!
We also had quite a few pictures this month that were totally off topic – eclipse shots, snow pictures etc. We’re really happy with this – if you have a photography problem with your camera or pictures let us know and we’ll try to help. That’s why we’re here!
Posted in Mentoring Service on March 4th, 2015 by Phil – Comments Off
A very varied selection of pictures from this month’s theme. Lots of traffic including this rather good first shot from Dave, which follows all the rules for getting a good headlight/traffic shot:
Firstly and most importantly it’s a long shutter speed – here, it’s 15 seconds. You will not be able to hold it still for this, but you may not need a tripod – you may get by resting on a handrail or a dog poo bin. Use the timer so you don’t poke the camera and wobble it.
Secondly, you’ll need to find an aperture and ISO to suit the shutter speed (so, usually a higher f stop and lower ISO – here it’s f22 and 100ISO.
Thirdly, you need a good bit of road. Sleek and understandable, with traffic diverting smoothly. (Bumps in the road look awful). It’s crucial that the still stuff is really sharp – so a stationary car looks good too. Somehow if everything is moving we can’t pick out the movement of the subject from the wobbling of the lens, so it doesn’t work. We need to be holding the camera really still for these – use every trick in the book and you’ll be glad you did.
We did have a young chap on a course in Henley who was unbelievably good at holding the camera still – up to a second or more an perfect clarity – weird. Turned out in his day job he is a Royal Marine sniper – fair enough! For most of us the old rule of being able to hold the camera for the length of the zoom applies (so a 200mm lens can be held for 1/200th on a full frame camera, or 1/300th on a Nikon/Sony or 1/3200 on a Canon crop sensor camera. Much longer than this and you have to take precautions – and don’t believe the hype about image stabilisation either!!
Posted in Mentoring Service on February 4th, 2015 by Phil – Comments Off
Posted in Mentoring Service on January 14th, 2015 by Phil – Comments Off
A slightly muted response this month with the usual great range of subjects, and locations from the Malvern Hills to the Vercours.
This picture warrants a little exploration – this was taken by Maureen, and I have included the mentoring I sent:
Settings were Canon 650D, 74mm equiv, 1/8th, f4.5, 3200 ISO
Here’s what I said to Maureen on this picture:
What a groovy object! You need to bear in mind that the camera does all its metering and measuring in black-and-white, and tends to see red as darker than we do. As a result, it often over exposes red things because it thinks they are dark. I would have immediately thought here that this was going to be tricky – and been under exposing slightly, and possibly even centre or spot metering on the red man. I think it’s critical that he is sharp and exposed properly, and the background is much less important.
In these dark conditions, the camera has given you a shutter speed that is almost 10 times longer than the average person can hold still. If you had used a bit more negative exposure compensation this would have given you a dark picture which you could reclaim later, and you could even use more ISO as well and hope that your noise reduction in light room could deal with any artefacts. As it is, it’s just a little blurry which is a real shame.
If you had a 50 mm f1.8 it would have been very similar in zoom, but the aperture would have been literally 10 times as big and you would have been able to hold it still really easily. Looking back at your previous pictures I can’t see any evidence of one of these – they’re brilliant lenses and only about £73 on Amazon – well worth getting if you do lots of low light shots and all these are!!